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Monday, September 23, 2013

SCARFACE - A scarface review which talks about the art in scarface different camera angles, analysis of artistic choices etc...

Professor Lehman Humanities 110 October 13, 2003 Scarface (1983) The 1983, Brian De Palma, remake of Scarface has its very witness unique visual style. He utilize multiple images and many a(prenominal) other(a) visual motifs to var. patterns and give thematic meaning to the burgeon forth. The use of multiple images, nearly related to split class cinematography, is characteristic of De Palmas films. In this film he used mirrors and idiot box monitors to give more than nonpareil image within single screen. The way he used these multiple images is an example of a free motif. The use of mirrors was universal in the booths at the Babylon Club. By using these mirrors it was possible to deliberate multiple images while the camera was focused on one person. When two men try on to murder Tony Montana, while he was sitting in the booth, the mirrors verbalize the stage character perform in the background. The more roughhewn example of multiple images was that of the c ommand monitors as well as the television, in the same screen. one(a) of the thrusts showed Tony in the bathtub smoking a cigar. He was observation the television and it showed the four other watchfulness monitors. Another shot showed Tony sitting in his big chair, with a mountain of cocaine on his desk.
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Behind him it showed the six surveillance monitors with an army of guys cartroad through one of the screens. A fix motif that was very unornamented throughout the film, was the connection betwixt Tony and his sister Gina. The first measure they are shown to passher, they give separately other a credit crunch th at would not be common between brothers and ! sisters. They are retention each other very close, she put her hands on his head, then unflinching his collar. He then gave her a content necklace. When they... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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