THE BIRTH OF A NATION: Epic D.W. Griffith
The ingest of a Nation, by David Wark Griffith, is a 1915 silent
film based on the give The Clansman, written by Thomas Dixon. According
to the liner notes included with this characterisation re-release, Griffith has
been stipulation the title of The Father of Hollywood with Birth beingness one
of his most classic films. He makes use of many naturalized actors and actresses of his time including: Lillian Gish, Mae Marsh, Henry B.
Walthall, Miriam Cooper, Robert Harron, Wallace Reid, Joseph Henabery, Don Crisp, Erich von Stroheim and Raoul Walsh.
It is a story nigh the civil War and the resulting Reconstruction era in 19th century United States history. The first half of the movie concerns itself with the take of the Souths separation from the Union and is full of some well choreographed Civil War battle scenes. The second half depicts Reconstruction from a Southerners perspective. This last half of the film leaves the viewer with a mavin of the alienation that cultural differences exhibit through dominance for billet regardless if that superiority struggle be with a single(a) individual or collectively as a nation.
The Birth of a Nation seems a complex film for its time. some(prenominal) themes run through the film, and it especially shines light on the
development of identity categories such as race, class, gender, and regionalism during the early twentieth century. As I viewed the film, I noted several connections that Griffith makes.
He makes differences between African Americans those as good blacks (still loyal to their masters) and as bad blacks or what Griffith terms faithful souls and renegades in scene sub-title frames. This sheds light on his construction of race and racial relations: segregation.
Two families, the Stonemans of the North and the Camerons of...
Great Paper. in truth well written for such a touchy, educational subject. We atomic number 18 learning the US South this term and your paper has given some insight on my first research paper.
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